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And with dancehall's recent American surge, even "rhythm albums" like Greensleeves'—discs devoted entirely to variations on an oft-narrow theme that would seem on the surface like exercises in pure monotony—are starting to catch on. Created by Donovan "Vendetta" Bennett and Kingston radio DJ Wayne, the "Marmalade" rhythm is less generic in the sense that song it's interchangeable rather than that it sums up its genre. Over tablas, hand song claps, stick percussion, and a bass part that slams on three beats and then pauses for breath, a nodding organ alternating with song a pinched little keyboard on the vaguely Middle Eastern preset plays the same couple of notes. The rhythm coils and springs constantly, and its internal tension is down-and-dirty enough to bring out the unblinkingly randy side of nearly every participant, particularly Lady Saw, whose "Mr.
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