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ftaa, patriot act, oracle, vasudeva, gawker, boston, killa, eff, funny, movie times, vhs, independant, wikiproject albums, mother, fucker, creation, software, rap, free fucking, your daddy was a rich man, mom fucking son, online store, electro, | The Eames Era, Could Be Anything Here's the happy, upbeat, bounce-off-the-walls song for the soundtrack. Sue has run off to be with her new crush Yumiko: college student, artist, kleptomaniac, and most rames beautiful Japanese girl in the world. They put on lace dresses, drink tequila shots, and head to a party. "Could be Anything" will by playing at the party. The buoyant, but somehow bitter song captures the mood: "Run along / to find the one / find the one, who could turn rames you on / I certainly hope that you are happy rames / with your new change of company / surrounded by your enemies." Massive Attack, Protection Maybe I've watched too many movies, because I don't see how TWINS could be made without a montage scene. |
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"I am young and I am strong / but I feel all and tired / over fired," the free fucking song begins. "You have no idea how it feels to be on your own / in free fucking your own home / with the fucking phone / with the mother of gloom in your bedroom." Feel Chloe's pain, head down, free fucking taking step after step, muttering Wainwright's to-the-point chorus: "You Bloody Mother Fucking Asshole." Regina Spektor, Ode to Divorce It's another sad scene for Chloe. Her ankle is sprained, the dog has peed on the floor, Sue has run away, and her parents have moved out. Chloe stares, bewildered, at her clueless parents while Spektor sings, slow and needy and clear: "I need your money / it will help me / I need your car / and I need your love / I need your money..." |
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