creative/political stance that Chuck newsgeek songs

insidehigher ed, reference, uncensored, mom strips for son, contributing faq, t shirt hell, kevin connolly, songs, violence, bmf wallet, song lyrics, eggers, nw, perfect, forum, sciforums, incest, music promotion, reviews, momand son sex, buybloody mother fucking asshole [ep] [pa] *, label, Tietchen's:Dissing Baudrillard: Public Enemy and Foucault's "Masked Other"Here's guessing Todd newsgeek F. Tietchen does not live on Hot Pants Road.For some years my mate Tony and I have been preparing a thesis called:Weighting for Cube : The Hegelian DialecticBut it appears TODD has stolen our thunder.More versions of Fight the Power (including some lousy live newsgeek ones, and a nice edit off the Louder Than A Bomb newsgeek remix album) over at the Shutemdown.com fan site. posted by James | Thursday, December 09, 2004   TIMLESS MELODY (US PROMO Version)The La's4 Track Promo[buy it]TIGHTROPEThe Stone RosesSecond Coming[buy it]The La's self-titled album is one of the great early 90s Brit Pop releases.They burn bright and burned out quicker, mostly they say, because the lead singer was an enormous cockface. This sharp live version of "Timeless Melody" comes off one of many promo releases.
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creative/political stance that Chuck D articulates is analogous to Michel Foucault's conception of the "masked other"- a model I find useful for explaining songs and understanding the paradoxical songs nature of postmodern political gestures. In "Nietzsche, Genealogy, History," Foucault locates power in discourse and suggests that a historically-notable event is not to be understood as "a decision, a treaty, a reign, or a battle, songs but the reversal of a relationship of forces, the usurpation of power, the appropriation of a vocabulary turned against those who had once used it . . . the entry of a masked 'other'", and I believe that Public Enemy's treatment of language and sampling on It Takes A Nation Of Millions To Hold Us Back occurs in just this sort of site. I would like to suggest that the notion of being simultaneously "masked" and "other"- the something-different which cloaks its deviance, the that-which-is-not-you which passes as that-which-is-you, the entity which can "play the game" and "work the game" simultaneously- is congruent with the consenting alternativism of the postmodern which, in the words of Linda Hutcheon, "works within the very system it hopes to subvert"Thats from Todd F.
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