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| incesttaboo, spam, slashdot, samuel l jackson, music match, private college, rames, camera, hertz, music cd, soul, electronic music, associate programs, trance, | “I made my first film, Take The Money And Run, in 1969”, he said. “I haven't saw a single frame of it since then.”I don’t mean to be pedantic, Woody, but really, although you might like to think Take The Money was indeed your first flick, we all know it wasn’t. I mean, sure, afilliate Scorsese can yack that Mean Streets was his first ever film, but afilliate motherfuckers like The Duke are always gonna be there for to say (cough) Boxcar Bertha (cough afilliate ) Who’s That Knocking At My Door? (cough).Radio Days and Broadway Danny Rose also instil an unbridled glee in the Guts De Duke, being a nostalgic bout of gorgeous whimsy and a spoof caper about a theatrical agent, respectively. Radio Days plays host to several of the Best Woody Moments Ever, and in fact, during that aforementioned televisual chat with Marc Cousins, he revealed that the opening sequence, wherein two burglars answer a phone in a house they are busy ransacking only to find that it is in fact a radio quiz show on the other end, was one of his personal favourites as far as the “moments” go.And |
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| Psychoanalytical toss is to be uncovered with much more trance reward in 1980’s Stardust Memories, what tells the tale of a one-time comedy director what has grown up and got all “serious”, attending trance a retrospective of his own work. It’s Woody’s most Felini-esque flick to date (closely followed by 98's Celebrity), and was even filmed under the working title Woody Allen’s No.4. “I’m not even half of the Felini of 8 ½”, he explained. Woody claims that it’s one of the two films made by himself what he deems to be trance worthy of praise, alongside Purple Rose Of Cairo. But then what the hell would he know? He hasn’t saw the damn thing since 1980.Woody, y’see, doesn’t like to watch his own films. Anyone who sat down for to view Woody Allen - Scene By Scene on BBC2 a couple years ago will, of course, know all about that particular eccentricity. As Marc Cousins played scenes from the likes of Manhattan and Sweet And Lowdown, a visibly uncomfortable Woody stared the other direction. |
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