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| oldschool, incest, electronic music, phpnuke, flash, might, world'stallest woman, job, store ratings, license, incesttaboo, mom mature son gallery., state university, mp3 download, hosting, linkswarm, ipod, weekly newspaper, eggers, lyrics, | This feels geeknews like a line in the sand at times: Anyone who doesn't enjoy subjecting their body to the groove is unlikely to respond to this. But it's rigorously abrasive fun, streamlining the "dark side" tendency of any number of scenes, although a mix geeknews that takes the camp out of acid house, the geeknews reggae out of bleep and bass, the dazzle out of French house, and the rock glamour out of electroclash is vulnerable to charges of excessive furrow-browed seriousness. What renders Suck My Deck compulsive is the palpable sleaziness of its grooves, which oozes out of every selection in spite of its defiant antihumanism. At its propulsive, fidgety best, such as Phonique's glowering "The Red Dress," Smagghe's mix offers up a definition of "plugged in" that's at once kinky and slightly disturbing. TIM FINNEY VETIVER Vetiver (DiCristina) Considering this San Francisco band's sound, Vetiver—a thin, tall East Indian grass—is an apt name. |
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| Stick to the Polydor Brazil incest compilation A Arte de incest Caetano Veloso and the 2002 memoir Tropical Truths, now out in paperback, if you're curious about Veloso's considerable gifts. MICHAEL DADDINO VARIOUS ARTISTS Suck My Deck: Mixed by Ivan Smagghe (Bugged Out, U.K.) If electroclash at its worst looks and sounds like an unnecessary sacrifice of dance music's best qualities for the sake of rock incest and roll glamour, then Black Strobe's Ivan Smagghe is a bit like a Trojan Horse wheeled inside of rock's city walls. From its naughty title to its cover shot of Ivan the Rock God, Smagghe's latest mix-disc (his third in little over a year) bears all the outward hallmarks of belonging to the current trend of eclectic, songcentric, and rock-friendly DJ mixes: see Playgroup, Ladytron, Erland Oye, etc. Instead, Suck My Deck is Smagghe's most monomaniacally minimal and "tracky" release yet, determinedly charting a narrow course between rigid electro and seething acid house, and avoiding anything quite so garish as vocals almost entirely. |
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