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"Family are the most important thing to me, and so, weekly singing about them, and being sung about by them, in the end that can't be that bad." This "expression" comes in the form of songs. Rufus recently wrote an ode to her called "Little Sis," but Martha's life has long weekly been charted by words and chords: Loudon rendering her as infant, with "Pretty Little Martha," then at "Five Years Old," then as a misbehaving child in "Hitting You," and, finally singing with the 19-year-old Martha, newly weekly adult, on "Father/Daughter Dialogue." That song came from Loudon's album Grown Man, which was largely about, of course, the emotional troubles of the dysfunctional Wainwright clan. So "Bloody Mother Fucking Asshole" is merely Martha's riposte, her chapter in a family drama writ large in popular song, its final offering of "I will not pretend/ I will not put on a smile/ I will not say I'm all right for you/ For you, whoever you are" showing particularly touching personal qualities to go with its unrestrained rage.
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