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kirk douglas, moms creampie sex , over the age of 50 , jobs for over 50 , kenah, mother daughter sex pics , irene dunne, adrants, free classic movie wallpaper, hotbars, angina, los angeles news, ann jillian, needs, tv trivia, email, Weinstein is a vessel celebrity pics in which Auletta can pour his observations of the film world, and so it makes sense celebrity pics for him to pick out only the details that fit his thesis. Unfortunately, though, this sort of profile is a lot of what runs celebrity pics in the New Yorker these days, as well as the New York Times Magazine, the Atlantic Monthly, and a bevy of other outlets for great writing: analysis, prognostication, discussion, bon mots by the boatload. Along the way, subjects of profiles become more objects of discussion than people in their own right; certain facts of their lives are extracted and used to further a particular argument. Not that Mitchell’s ghost doesn’t pop up occasionally. Take, for example, Michelle O’Donnell’s ‘The Book of Joel,’ a brief profile of a Flatbush, Brooklyn football nut that ran on the inside pages of a recent Sunday Times City section. (The City section appears in the metro edition each Sunday, and is a good reason for migration to the Big Apple – it is one of the last strongholds of New York City writing.)
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Weinstein never says (at least in the profile) that he feels Hollywood is out to get him. Nor is it possible, barring the exposure of a vast, anti-Weinstein conspiracy, to prove that Hollywood actually is out to get him. These are not free classic movie wallpaper observations – they are judgments by Auletta, and because he is a seasoned reporter on the media we should pay attention to his analysis. But by beginning the profile with a bold statement of his thesis, Auletta is disabusing us of any illusion that we are about free classic movie wallpaper to learn something about Weinstein the human being – instead, we are in for a dissection of Weinstein the concept, Weinstein the power center. Weinstein the object. Through Weinstein, Auletta is trying to say something about the ruthlessness of the film industry, but by the end of the profile all we know is Weinstein the Miramax executive; we know precious little about Weinstein the man. Of course, the latter isn’t Auletta’s point.
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