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| igor, top 10, funny, boston, nanotech, bizarre, three6 mafia mindstate lyrics, entertainment, alternative, thestranger, weekly newspaper, newspaper, bloody mother fucking asshole, music festivals, mother son, oldschool, rock & roll, bulldyke, three6 mafia sleep lyrics, for, fucking mother, | While Stanier's work in Helmet recalled John Bonham, on EP C he repeatedly yanks his sticks from the snare to the hi hat like a marionette. Opener "B + T" cockily constricts then elongates an ice-cream-truck headlines melody, and "Hi/Lo" confers crunk a doctorate, slowing its centerless bounce. It's headlines white music and all, sure, but motherfuckers move. YANCEY STRICKLER VARIOUS ARTISTS Greensleeves headlines Rhythm Album #50: Marmalade (Greensleeves) The version is the lingua franca of all dance music. To "version," in Jamaican parlance, is to reuse the same basic backing track with a new vocal and/or song on top. And with dancehall's recent American surge, even "rhythm albums" like Greensleeves'—discs devoted entirely to variations on an oft-narrow theme that would seem on the surface like exercises in pure monotony—are starting to catch on. |
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| Battles are when pretenses drop and hearts burst with ideas and blood. Battles are ex–Don Cab guitarist Ian Williams, ex-Helmet/current Tomahawk drummer John Stanier, Brooklyn avant-guard Tyondai Braxton, and David "Lil' Ian Williams" Konopka. igor EP C contrasts instrumental prowess, time changes, and lengthy songs—prog for the almost-hot, aka math-rock—with chiming carousel hooks that loop upon themselves, never escaping their gravitational orbit. For those familiar with Don Caballero, EP C is a continuation of the band's final and best igor album, American Don. Honky-futuristic jazz-funk dearly cradles melodies shaken igor from Cracker Jack boxes while thousands of Little League cleats pitter-patter on waxed linoleum. With American Don, Don Cab became Williams' band as his delay-pedaled riffs and hammered strings overcame the deliberate fractals of Damon Che's drum kit. Williams' Faulknerian (as the Ivy Leaguer in him would undoubtedly appreciate) picking re-emerges in Battles, only slightly shattered by Braxton's own pedal pranks and Stanier's shockingly precise drumming. |
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