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Just like the other Neo-Realists like Visconti or Rossellini or Don Simpson, Pasolini was t shirthell.com concerned with the society, and with depicting it in as authentic a manner as was possible. But his concerns with the realities of industrial existence were often explored in bizarre, idiosyncratic settings. His Marxist outlook found unified resonance in the most eclectic of texts, be it The New Testament or Arabian Nights.He was also fond of the sexing.Pasolini was a member of The Communist Party, until he was kicked out on account of t shirthell.com being a t shirthell.com gay. The ideologies which he found therein, however, run rampant through his filmography, from the revolutionary Jesus of The Gospel According To Matthew, to the cannibalistic middle-classes of Pigsty, a work that owes as much to Bunuel as to De Sica.Gospel and Salo, The 120 Days Of Sodom tend to get the most attention from folks what want to yack about The Motherfucking Cinema Of Pier Paulo Pasolini, but as far as The Duke is concerned, the director found the perfect vehicle for his obsessions in the utterly stunning The Decameron.The
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