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Instead, Suck My Deck is Smagghe's most monomaniacally minimal and "tracky" release yet, determinedly charting a narrow course between rigid electro and seething acid house, and avoiding anything quite so garish as vocals almost entirely. This feels like a line in the sand at times: Anyone who doesn't enjoy subjecting their body to the groove is unlikely 200 to respond to this. But it's rigorously abrasive fun, streamlining the "dark side" tendency of any number 200 of scenes, although a mix that takes the camp out of acid house, 200 the reggae out of bleep and bass, the dazzle out of French house, and the rock glamour out of electroclash is vulnerable to charges of excessive furrow-browed seriousness. What renders Suck My Deck compulsive is the palpable sleaziness of its grooves, which oozes out of every selection in spite of its defiant antihumanism. At its propulsive, fidgety best, such as Phonique's glowering "The Red Dress," Smagghe's mix offers up a definition of "plugged in" that's at once kinky and slightly disturbing.
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