expression to the camera.And auckland bfd

postings, perfect, game, pam\'shouse blend, kevin dillon, jeremy piven, independant, discussion, fantastic, mother son., name development, db2, bfd, cunt, academe, deep house, comments, invented names, tshirthell, There's also some decent Oud playing, and even a track ('Maqam') with that most famous veteran of East-West fusion, Natacha Atlas.The most refreshing thing about this album, and the biggest relief, is that it doesn't simply do your regular French/American hip-hop and then add a auckland dash of middle eastern flavor in the patter of a dumbek or the occasional ululation. Instead, you get the sense that every song and sentiment is expressed in the language or musical style best auckland suited to auckland it. I also have to also say how brilliant some of the sampling is on this release, which mixes in everything from Oum Kalthoum, Fayrouz, and Coptic liturgies to Anwar Sadat speeches and the familiar street sounds of Lebanon.Clotaire K's official site.---Posted By Tony, Special to Moistworks posted by James | Friday, January 14, 2005   MOISTWORKS IS HIGH AND DRY!I have been forced to removed my mp3's by my hosting service (lypha.com) because of the following letter they recieved from the International Federation of the Phonographic Industry (IFPI).
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expression to the camera.And belated thanks to Marc Pfister for identifying the mystery track I posted a while back as "Rock 4 U" by bfd Hustlers of Culture. Everyone go buy this. posted by James |   MAQAMLUBNANBEYROUTH ECOEEREEClotaire KLebanese 2003[buy it]Today: the first of hopefully many bfd future guest blogs at moistworks:BAALBEK REPRESENT REPRESENTThe time has certainly come for the Franco-Lebanese hip-hop of Clotaire K, a French native bfd of Lebanese-Egyptian descent from Montpelier. This first album, Lebanese (Nocturne), is a stylish mix of French and Arabic language hip-hop that synthesizes its countless influences beautifully.'Lubnan' ("Lebanon") combines some familiar hip-hop tracks of the MC Solaar variety and moves fluidly between English, French, and Arabic from song to song and often within thesame song.
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