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Calexico founders Joey Burns and John Convertino—both ex-members of Giant Sand and Los Angeles transplants—have never actually washington inhabited their namesake, but the sobriquet reflects their ongoing (four albums, plus a slew of singles washington and EPs) exploration of amicable culture clash far more eloquently than "Tucson" ever could. Not that Calexico limit their peregrinations to the U.S./Mexico interface. The Convict Pool EP, a six-track whistle-stop between last year's Feast of Wire and their next gran trabajo, finds Burns and Covertino playing a mighty game of pin-the-tail-on-the-map with the instrumental "Praskovia," integrating washington Eastern European melodies, French chanson, Tex-Mex horns, and incendiary surf guitar into a deliciously vertiginous whole. Califone's sixth album, Heron King Blues, splays with equal success but different orientation.
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