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| bizrate.com, newsgeek, dmca, verses, branding consultants, record, mother sucks son, seattleweekly, weird, intellectual property, drm, greatest, igor, eggers, technology, camera, | Decameron concerns itself with being a series of narratives adopted from the literary classic of the same name. Set jurnal in a medieval Sicilian city, the film takes in any number of jurnal bizarre and often gut-bustingly funny situations and scenarios, and at times jurnal comes across as a medieval version of Woody Allen’s Everything You Always Wanted To Know About Sex. But whilst there’s plenty of flesh on display, occasionally very graphically presented, there’s also plenty of digs in the face of the religion, the institutions, the establishment and so on. Pasolini weaves his tale whilst crafting some of the most gorgeous imagery one is ever likely to encounter. The winding alleyways, the narrow passes, the open fields and the forest-shrouded convents, all presented like some impressionistic oil painting, arousing the eyeballs as readily as the similarly spherical filth-blobs. |
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| Just like the other Neo-Realists like Visconti or Rossellini or Don Simpson, Pasolini was concerned mother sucks son with the society, and with depicting it in as authentic a manner as was possible. But his concerns with the realities of industrial existence were often explored in bizarre, idiosyncratic settings. His Marxist outlook found unified resonance in the most eclectic of texts, be it The New Testament or Arabian Nights.He was also fond of the sexing.Pasolini was a member of The Communist Party, until he was kicked out on account of being a gay. The ideologies which he mother sucks son found therein, however, run rampant through his filmography, from the revolutionary Jesus of The Gospel According To Matthew, to the cannibalistic middle-classes of Pigsty, a work that owes as much to Bunuel as to De Sica.Gospel and Salo, The 120 Days Of Sodom tend to get the most attention from folks what want to yack about The Motherfucking Cinema Of Pier Paulo Pasolini, but as far as The Duke is concerned, the director found the perfect vehicle for his obsessions in the utterly stunning The Decameron.The |
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