Although the 28-year-old Wainwright network news incesttaboo

digital camera, mms, sound sample, 2004, events, free porn, director, christian, audio, incesttaboo, history, world'stallest woman, slashdot, privacy, freshnews, college and university, brand positioning, mom and son, mom, She then repeats the title obsessively like it's both a curse and a mantra, closing up an unflinching, unyielding proclamation of self. It's hard to follow up a song network news with such gravitas and shock value, so perhaps that's why the following three songs feel slightly less important. "I Will Internalize" is network news a slower network news self-examination, lifted by a bluesy bridge and tiny organ embellishments. "It's Over" plugs Wainwright's guitar in, the chords rumbling like little earthquakes under brutal honesties like "Your secret's not safe with me". The EP finishes up with a cover of the Carroll Lucas-Jack Owens tune "How Soon", a jazzy slice of Tin Pan Alley that marks the only melodic similarity with her brother. It takes all three songs combined to render the same impact as the ferocious title track; "Bloody Mother Fucking Asshole" is on such a high level of truth that it tends to obscure anything else that sits near it.
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Although the 28-year-old Wainwright has incesttaboo been appearing on records for years (mostly those of incesttaboo her family), she's taken her time prepping an official full length solo debut. That debut reportedly will reach shelves incesttaboo in late February, leaving us with the 14-minute teaser EP Bloody Mother Fucking Asshole for the time being. The four songs on Bloody Mother Fucking Asshole -- featuring Wainwright on guitar and very sparse organ or keyboard embellishments -- are as uncompromisingly raw and immediate as the EP's title. Wainwright comes on like gangbusters in the opening title track, angry, aggressive, immediately on the defensive. "I've been poked and stoked / It's all smoke, there's no fire / Only desire for whoever you are," she sings in her forceful voice that cracks and gives way under its own strain, like Björk reciting Throwing Muses, adding: "I will not pretend, I will not put on a smile."
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