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| verses, branding consultants, record, mother sucks son, seattleweekly, weird, intellectual property, drm, greatest, igor, eggers, technology, camera, and, adjunct, naming consultants, professor, calendar, business, | . . the entry of a artists masked 'other'", and I believe that Public Enemy's treatment of language and sampling on It Takes A Nation artists Of Millions To Hold Us Back occurs in just this sort of site. I would like to suggest that the notion of being simultaneously "masked" and "other"- the something-different which cloaks its deviance, the that-which-is-not-you which passes as that-which-is-you, the entity which can "play the game" and "work the game" simultaneously- is congruent with the consenting alternativism of the postmodern which, in the words of Linda artists Hutcheon, "works within the very system it hopes to subvert"Thats from Todd F. Tietchen's:Dissing Baudrillard: Public Enemy and Foucault's "Masked Other"Here's guessing Todd F. Tietchen does not live on Hot Pants Road.For some years my mate Tony and I have been preparing a thesis called:Weighting for Cube : The Hegelian DialecticBut it appears TODD has stolen our thunder.More versions of Fight the Power (including some lousy live ones, and a nice edit off the Louder Than A Bomb remix album) over at the Shutemdown.com |
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| posted by James | Tuesday, December 14, 2004 HOT PANTS ROADThe JBsFunky Good Time: The Anthology[buy it]FIGHT THE POWER [EXTENDED naming consultants MIX]Public EnemyOriginal Soundtrack: Do The Right Thing [Remaster][buy it]Generally, theorists such as Baudrillard have argued that the conditions of postmodernity force artists working in popular modes to depend on electronic mediums controlled by corporate capital, and imbedded within these representational fields, any naming consultants resistive stance threatens to naming consultants be played out as merely a compliant mode of performitivity which reifies the authority of our master signifying practices....The creative/political stance that Chuck D articulates is analogous to Michel Foucault's conception of the "masked other"- a model I find useful for explaining and understanding the paradoxical nature of postmodern political gestures. In "Nietzsche, Genealogy, History," Foucault locates power in discourse and suggests that a historically-notable event is not to be understood as "a decision, a treaty, a reign, or a battle, but the reversal of a relationship of forces, the usurpation of power, the appropriation of a vocabulary turned against those who had once used it . |
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