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| download, buybloody mother fucking asshole [ep] [pa] *, fiction, administrator, debian, t shirt hell, comments, futuristic, djs, wearable, puff daddy, online store, journal, suicidegirls, anarchist, hindu, | Nick Catchdub's cross between middle school favorite "Cannonball" and "Party & Fire-Shit" combines a cosmic fiery Rah "Ima beat that bitch cosmic with a bat" Digga with Lollapalooza. (For all you Phillyheads, it's like Y100 shaking hands with Power 99.) Of course not every cosmic single was ever meant for cross-breeding. The Beatles' "And I Love Her" and Kelis' "Milkshake" is an unholy alliance of a shameful degree. Gregory Isaacs over "Go DJ" is wholly cacophonous. And Mark Ronson rides the gimmick pony with "Bombs Over Baghdad" and "Take Me Out". C'mon duke, I know there's at least one other record in the crate. And, of course, conceptually this doesn't clear any new ground other than offering a new platform for some rising deejays. Nonetheless, The Remix is honest and creative. "Culo" and "Let's Go to Bed"? Motherfucking brilliant. -Jamin Warren, March 1, 2005 Tue: 03-21-06 Features: Who Needs the DJ? |
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| At the start of 2004, the term "mashup" finally went overground in anarchist the U.S. when Danger Mouse's infring-o-rama The Grey Album anarchist earned the bootleg blue ribbon for its surgical deconstruction of the Beatles' sound. But while some cats are trying to make sense from absurdity by calling a spade a spade, let's be perfectly honest: The rock guitar vs. emcee isn't new. Run DMC did it, Public Enemy did it, even Onyx did it. Fortunately, DJ Ayres and co. skip the semantics: It's the Motherfucking Remix. Known for the innovative sets at the anarchist Brooklyn-based Rub parties, The Remix carries all the energy and creativity for BK crowds itchin' to scuff up their dancing shoes. The collection capitalizes on two elements: originality and flow. Listening to Mobb Deep's Prodigy boast about murderous blood splatters on his daughter over the Ghostbusters theme evokes a few chuckles, but succeeds because the synth-tuba perfectly accents the Queensboro duo's spitfire. |
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