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His Marxist outlook found unified resonance jobs in the most eclectic of texts, be it The New Testament or Arabian Nights.He was also fond of the sexing.Pasolini was a member of The Communist Party, until he was kicked out on account of being a gay. The ideologies which he found therein, however, run rampant through his jobs filmography, from the revolutionary Jesus of The Gospel According To Matthew, to the cannibalistic middle-classes jobs of Pigsty, a work that owes as much to Bunuel as to De Sica.Gospel and Salo, The 120 Days Of Sodom tend to get the most attention from folks what want to yack about The Motherfucking Cinema Of Pier Paulo Pasolini, but as far as The Duke is concerned, the director found the perfect vehicle for his obsessions in the utterly stunning The Decameron.The Decameron concerns itself with being a series of narratives adopted from the literary classic of the same name.
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