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| mega, ernie c, blaxploitation, khz, musician, grunge, ice t, programes, stranger, top 10, discount, branding, subnixus wordpress themes, academic, enlightenedtheme for wordpress, brock lesnar, badass, open source, store, calendar, brand positioning, son, moviedatabase, store ratings, | At 200 one point the character Burger performs "Lincoln is regaled with the following lyrics: 'I's free now thanks to you, Massa Lincoln, emancipator of the slave, yeah, 200 yeah, yeah! Emanci -- mother fucking -- pater of the slave, yeah, yeah, yeah! Emanci -- mother fucking -- pater of the slave, yeah, yeah, yeah!' With Lincoln responding, 'Bang my ass . . . I 200 ain't dying for no white man!'" "[**] A woman taking her departure says to the tribe, 'Fuck off, kids.'. The following dialogue occurs as Claude nears his death scene: "'Burger: I hate the fucking world, don't you? "'Claude: I hate the fucking world, I hate the fucking winter, I hate these fucking streets. "'Burger: I wish the fuck it would snow at least. "'Claude: Yeah, I wish the fuck it would snow at least. "'Burger: Yeah, I wish the fuck it would. "'Claude: Oh, fuck! "'Burger: Oh, fucky, fuck, fuck!'" a full and complete simulation of masturbation while using a red microphone placed in his crotch to simulate his genitals. |
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| "Interspersed throughout the play, as reflected in the script, is such 'street language' as 'ass', 'fart', and repeated use of the words 'fuck' and the four letter word for excretion. ernie c In addition, similar language and posters containing such language were used on stage but not reflected in the script. "Also, throughout the play, and not reflected in the script, are repeated acts of simulated sexual intercourse. These were testified to by every witness who had seen the play. They are often unrelated ernie c to any dialogue and accordingly could not be placed with accuracy in the ernie c script. The overwhelming evidence reflects that simulated acts of anal intercourse, frontal intercourse, heterosexual intercourse, homosexual intercourse, and group intercourse are committed throughout the play, often without reference to any dialogue, song, or story line in the play. Such acts are committed both standing up and lying down, accompanied by all the bodily movements included in such acts, all the while the actors and actresses are in close bodily contact. |
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