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brock lesnar, cameras, gawker, movie, marthawainwright, robot, label, dialogue, moviedatabase, letras, mp3mp3s legal music ipod playloudershop.com music playlouder, seattle newspapers, video, affiliate, 200, incest, digitalrights, visual art, mother son., eff, martha wainwright song lyrics, net, music community, At its propulsive, fidgety best, such as Phonique's glowering "The Red Dress," Smagghe's mix offers up a definition of "plugged in" that's at once kinky and flash slightly disturbing. TIM FINNEY VETIVER Vetiver (DiCristina) Considering this San Francisco band's sound, Vetiver—a thin, tall East Indian grass—is an apt name. Their first release gathers disorienting folk songs so wispy they could be crushed by a child's foot flash or blown away by a slight breeze at any minute. Instead, vocalist Andy flash Cabic, guitarist/vocalist Devendra Banhart, cellist Alissa Anderson, and violinist Jim Gaylord stay the faltering course and provide for a pleasant, meandering journey along the way. Escape via automobile is a prevalent theme here: "Oh, papa/I'm takin' the car/You won't mind me missin' at all" ("Oh Papa"), and "Without a song I left the city/Borrowed a car with no radio/Gone before the sun had a chance to shine/The freeway weighed on my mind" ("Without a Song"). Similarly, Vetiver seems like a departure from somewhere and an arrival somewhere else, with a lot of stops to pick up temporary passengers: Mazzy Star's Hope Sandoval croons hushedly on "Angel's Share," and My Bloody Valentine drummer Colm O'Ciosoig taps "Luna Sea" and lightly thuds the toms on the closer, "On a Nerve."
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Instead, Suck My Deck is Smagghe's most monomaniacally minimal and "tracky" release yet, determinedly charting a narrow course between rigid electro and seething acid house, and avoiding anything quite so garish as vocals almost entirely. This feels like a line in the sand at times: Anyone who doesn't brock lesnar enjoy subjecting their body to the groove is unlikely to respond to this. But it's rigorously abrasive fun, streamlining the brock lesnar "dark side" tendency of any number of scenes, although a mix that takes the camp out of acid house, the reggae out of bleep and bass, the dazzle out of French house, and the rock glamour out of electroclash is vulnerable to charges of excessive furrow-browed seriousness. What renders Suck My Deck compulsive is the palpable sleaziness of its grooves, which oozes out of every selection in spite of its defiant antihumanism.
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