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| brock lesnar, cameras, gawker, movie, marthawainwright, robot, label, dialogue, moviedatabase, letras, mp3mp3s legal music ipod playloudershop.com music playlouder, seattle newspapers, video, affiliate, 200, incest, digitalrights, visual art, mother son., eff, martha wainwright song lyrics, net, music community, | Opener "B + T" cockily constricts then elongates an ice-cream-truck melody, and "Hi/Lo" confers crunk a doctorate, slowing its centerless bounce. It's white music and all, sure, but motherfuckers move. YANCEY STRICKLER VARIOUS ARTISTS Greensleeves Rhythm Album #50: Marmalade (Greensleeves) The version is the lingua franca of all dance music. To "version," in Jamaican parlance, is to reuse the same basic backing track with columns a new vocal and/or columns song on top. And with dancehall's recent American surge, even "rhythm albums" like columns Greensleeves'—discs devoted entirely to variations on an oft-narrow theme that would seem on the surface like exercises in pure monotony—are starting to catch on. Created by Donovan "Vendetta" Bennett and Kingston radio DJ Wayne, the "Marmalade" rhythm is less generic in the sense that it's interchangeable rather than that it sums up its genre. |
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| EP C contrasts instrumental prowess, time changes, and lengthy songs—prog for the almost-hot, aka math-rock—with gawker chiming carousel hooks that loop upon themselves, never escaping their gravitational orbit. For those familiar with Don gawker Caballero, EP C is a gawker continuation of the band's final and best album, American Don. Honky-futuristic jazz-funk dearly cradles melodies shaken from Cracker Jack boxes while thousands of Little League cleats pitter-patter on waxed linoleum. With American Don, Don Cab became Williams' band as his delay-pedaled riffs and hammered strings overcame the deliberate fractals of Damon Che's drum kit. Williams' Faulknerian (as the Ivy Leaguer in him would undoubtedly appreciate) picking re-emerges in Battles, only slightly shattered by Braxton's own pedal pranks and Stanier's shockingly precise drumming. While Stanier's work in Helmet recalled John Bonham, on EP C he repeatedly yanks his sticks from the snare to the hi hat like a marionette. |
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