February 22, 2005 Reviewer:Andre 1960s community

top, anagram, mother, group, deedat, net, movie times, restaurants, bad, mother sucks son, foia, advertisements, odbc, marketing, dvd, community, store ratings, brand positioning, wa, "I Will Internalize" is somber and boring. "When the Day 1960s is Short" is a peppy track without much of a melody, "On the jukebox is your only song." "It's over before it ever started" is pretty much a targeted assessment of 1960s this EP's worth. The track itself sounds like a caterwauling cat screeching, perhaps suitable for a song about slitting your wrists; but do I need to listen to this more than once? "How Soon" -- the only song Martha didn't write -- is the best track, but its wispy piano melody is hardly enough to recommend the set. Martha was charming on the McGarrigle Hour and did a wonderful job with "I'll Be Seeing You" from "The Aviator: Songs from the Movie" CD. However, this set is an utter mistake. She needs some management to help her find her talent that certainly seems to be there. Until next time, taxi! Was this review helpful to you?  (Report this) 23 of 42 people found the following review helpful: title of review, January 27, 2005 Reviewer:pancake_repairman "pancake_repairman" (gfjdhgfjhgj) - See all my reviewsI expected something at least somewhat unconventional and interesting based on the title, but the title track is just standard, mediocre lilith fair stuff.
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February 22, 2005 Reviewer:Andre Therien - See all my reviews    I saw her live a few months ago, in 2004. Absolutely riveting! Original and personal, authentic and not commercially oriented, strong and intense. This CD lets you in. Wait for the rest. Was this review helpful to you?  (Report this) 17 of 51 people found the following review helpful: Caterwauling Cat Screeching, February 15, 2005 Reviewer:Lee Armstrong (Winterville, NC United States) community - See all my reviews       With the rock community pedigree of father Loudon Wainwright III, mother Kate McGarrigle and community brother Rufus Wainwright, her voice sounds a bit like her aunt Sloan Wainwright's full throated-alto. The stripped down arrangements here put her voice front & center. It is a moving vocal delivery, but unfortunately the title track is unnecessarily offensive with its language. In short, this EP is a mistake as a calling card for an upcoming full-length release. I can only hope that the original tracks heard here will not be heard again.
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