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| research, michel guillemin, biography & autobiography / general, independent, seasons, low fat diet, microcinemas, literature, and arsinee khanjian, stars, corto, help, how is fat burned, women, lose fat, judithmoore, fat woman sex, hardbacks, newspapers, fat boob, movies, literature general, christian inspirational, essays, | For a movie that is believable for most of its running time, such an over-the-top conclusion seems out of place. Without question, it drives home a point, but the price may not be worth the benefit. Couldn't Breillat have accomplished the same aim without compromising the anaïs reboux tone of an otherwise insightful and perfectly-pitched motion picture? Nevertheless, anaïs reboux Fat Girl represents one of the most honest and unvarnished looks at the harsh side of being a teenager since Todd Solondz's Welcome to the Dollhouse. © 2001 James Berardinelli Back Up fat girl store April 6, 2005 09:45 AM And this Salon anaïs reboux article about Torrid (whether it 'promotes obesity', I kid you not - someone actually went to the trouble of writing about this topic) was going so well. |
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| It's never difficult accepting them as individuals or as siblings. Their problems and reactions are entirely credible. Solid support is research provided by Libero De Rienzo as Fernando - he imbues his character with enough humanity that we never view him as a completely self-centered bastard. The film also research features Arsinée Khanjian (aka Mrs. Atom Egoyan) and Romain Goupil as the sisters' mother and father. Breillat is clearly a skilled research filmmaker. She doesn't rush the sexual encounters between Elena and Fernando, and uses a series of abnormally long, unbroken shots to present these, adding an additional layer of realism. During the movie's final third, as events move towards their conclusion, she develops a burgeoning sense of menace that serves the finale well. Breillat is less certain when it comes to things like foreshadowing - in at least one instance, she is too obvious. Fat Girl's ending, which is steeped in the blackest of ironies, may be unnecessarily sensationalistic. |
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