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| weekend, myth, fatgirl angle shot, herbs, kino, fat man walking, office, big fat ass, literature p, title, april, chicks, coffeehouse, judith, big fat tit, personal memoirs, roxane mesquida, bachar, biography / autobiography, 1582344280, crafts, health, | But from the very first sequence, Anais' weight is foregrounded, as she devours a banana split at a cafe while her sister is being chatted up by an Italian student. The body is the focus of this film, its display, and the attempts to control it, whether by deciding how much you're going to eat, by seducing minors or by deciding to whom you'll offer your virginity. Like another recent French film, burn fat Patrice Chereau's burn fat 'Intimacy', Breillat focuses on sexuality in a way hostile to mainstream cinema. Unlike 'Intimacy', whose gauche attempts at realism destroyed its credibility, Breillat insists on formality and artifice, from the summer holiday setting, with its two heroines 'locked up' in a chalet that, with its guards, gates, bars, curfews seems like a high security prison; to the ritualistic manner in which characters negotiate sex; to Breillat's awesomely complicated filming apparatus. |
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