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The film's coup-de-theatre is a lengthy scene in which Elena sneaks big fat ass in her boyfriend to the bedroom she shares with a sister she big fat ass assumes is asleep. Not only is the viewer faced with the problematics of staring at the naked, fetishised body of a minor, and the increasingly big fat ass grotesque and hypocritical attempts of her lover to seduce her; not only is the framing unflinchingly static, with the odd, sinisterly creeping movement, and the tight compositions forcing the two lovers into an airless claustrophobia; but our voyeurism is shared by our knowledge of the mostly unseen gaze of the younger girl looking on.
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