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| judith moore, subject, diary, exercise & fitness, odette barrière, compulsive eating, patrick, interviews, great books, comic books, low fat recipe, bildungsromane., reviews, politics, apriljohnson, fat stomach, screenings, fat black booty, artist, america, foreign film french, science fiction, fatgirl : a true story, fat guy singing video dragostea din tei, | Later, Fernando creeps into Elena and Anaïs’ room at night. In an extended sequence that is fat farm the highlight of the movie, Breillat captures all the fear, desperation, confusion, anxiety, and fat farm pressure behind the negotiation for consensual sex. Elena is neither sure that Fernando loves her nor is she ready yet to give up her virginity. Meanwhile, Fernando utters every inane excuse he can come up with for her to fat farm let him go all the way. The power in the scene comes from Elena’s youthful naiveté, which prevents her from seeing through the more experienced Fernando. At the same time, Anaïs, who pretends to be asleep, does. The rest of the film is devoted to how Elena and Fernando’s relationship affects the relationship between Anaïs and Elena. |
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| Catherine Breillat certainly cannot be mistaken for jumping on a bandwagon as she has built her film career of over 20 years around screenings examining women and sex in society. Fat Girl is not as explicit screenings as Breillat’s last film, Romance, but it covers more emotional territory. Fat Girl feels as desolate and bleak as the ironically-titled Romance felt cold and distant. Breillat uses no warm colors. Whatever primary colors that appear are muted or coarse. At least here, though, the characters resemble humans as opposed to the automatons screenings of Romance. In Fat Girl, overweight 12-year old Anaïs (Anaïs Reboux) and beautiful 15-year old Elena (Roxane Mesquida) are sisters on their family vacation. The two persistently torture each other between much rarer moments of emotional bonding. Elena makes fun of Anaïs’ obesity and constant eating while Anaïs accuses Elena of being a slut. Partly in reaction to her sister, Elena sidles up to Fernando (Libero de Rienzo), an Italian law student, and seduces him. |
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