Her first two films, theatre artist

judith moore, subject, diary, exercise & fitness, odette barrière, compulsive eating, patrick, interviews, great books, comic books, low fat recipe, bildungsromane., reviews, politics, apriljohnson, fat stomach, screenings, fat black booty, artist, america, foreign film french, science fiction, fatgirl : a true story, fat guy singing video dragostea din tei, Fat Girl represents Breillat's biggest critical success to date, attracting good reviews and a handful of awards and nominations at international film festivals. However, while it screened at this past September's Toronto International Film Festival, it appears that may have been the only theatre opportunity for Toronto residents to see the film, since the Ontario Film Review Board has elected to bar its release in the province. It was at the Toronto film theatre fest that Reel caught up with Catherine Breillat, and she talked about her story's beginning, why she doesn't worry about theatre Fat Girl's abrupt shift in tone, and what it took to make a 13-year-old cry. Q: What was the basis for this story? Because it starts out as one thing then it turns into something entirely different.   Catherine Breillat: It started off … I actually saw a young girl, who was 12 years old and she was swimming.
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Her first two films, 1976's Une vraie jeune fille and 1979's Tapage nocturne, were banned to audiences under 18. Two years ago, her drama Romance, about a young woman's voyage of sexual self-discovery, was rejected by the MPAA in the U.S. for its candid depiction of intercourse. With her latest drama, Fat Girl ma souer!), Breillat courts controversy again with the story of two adolescent sisters' coming-of-age over a summer holiday. Thickset, 12-year-old Anaïs (Anaïs Reboux), sharing a room with her 15-year-old sister Elena (Roxane Mesquida), artist seethes in envious silence as she artist witnesses artist her sibling's seduction by an older man over the course of their vacation. When the girls' parents discover the affair, the tryst is over and so is the holiday, but the ride home delivers even harsher lessons to Anaïs.
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